HCI + Sound & Music Computing

Technology • Design • Experience

Musical avatar automatically generated from my musical taste. Source: The Musical Avatar project, MTG-UPF.

Roma, G., Xambó, A.and Freeman, J. (2018). “User-independent Accelerometer Gesture Recognition for Participatory Mobile Music”. Journal of Audio Engineering Society, 66(6), pp. 430-438.
Xambó, A. (2018) “Who Are the Women Authors in NIME? - Improving Gender Balance in NIME Research”. In Proceedings of the New Interfaces for Musical Expression (NIME ’18). Blacksburg, Virginia, USA. pp. 174-177. Check the online public directory of WiNIME here!
Xambó, A., Roma, G., Lerch, A., Barthet, M., Fakekas, G. (2018) “Live Repurposing of Sounds: MIR Explorations with Personal and Crowdsourced Databases”. In Proceedings of the New Interfaces for Musical Expression (NIME ’18). Blacksburg, Virginia, USA. pp. 364-369.

Weisling, A. and Xambó, A. (June 4, 2018). "Beckon". NIME '18. Moss Arts Center: Anne and Ellen Fife Theatre. Blacksburg, VA, USA.
Weisling, A. and Xambó, A. (March 20, 2018). "Beacon". TEI '18. Kulturhuset. Stockholm, Sweden.
Brown, N., Chudy, M., Papadomanolaki, M., Wilkie, S., Pase, T., Stolfi , A., Schroeder, F., Xambó, A., Ikkache, L., Freeman, J., Ganesh, S., Kerure, A., Narang, J., Tsuchiya, T. (August 25, 2017). "Transmusicking I". Audio Mostly 2017. Oxford House Theatre. London, UK.

Xambó, A. (July 12-13, 2018). “Creative Audio Programming". Filmuniversität Babelsberg Konrad Wolf, Potsdam, Germany. Organized by MA Creative Technologies. Here's the course material.
(July 4, 2018). The Disturbing Discussion about Innovation with Nicolas d'Alessandro (panelist), Tom Mitchell (panelist), Anna Xambó (panelist), and Matthias Strobel (moderator). Wallifornia MusicTech Hackathon. Liège, Belgium.
Xambó, A. (May 15, 2018). "H2RI", new album released by pan y rosas (Chicago, IL, USA).