Participation in Compilations
Anna Xambó - mnnw (extract) (3:55) @ LOLTRAX001
About the compilation
LOLTRAX001 is an experimental computer music compilation. Based in Manchester UK, LOL HQ have reached out to an international cohort of artists for the label’s first release under the ‘TRAX’ format. Within this 56 minute celebration of rhythm, tone and noise, experience the last croak of a circuit bent keyboard, DSP dexterity, lushious pads and phased out synthesis. Blast yourself with the full hour-long journey or take it in measures.
Proudly presenting: WEȽ∝KER’s GM dissection, 1000PA’s delicately pressurised arrangements, Michael-Jon Mizra’s synthetic scuttling, Chloë Sobek’s post-anthropocentric noise, Robin Fox’s vectorised laserscapes, Anna Xambo’s high altitude human-computer interactions, Dan Valentine’s luxurious additive dub, SONAMB’s shiny mechanoids, busf’s intermittent piston blasts, Kindohm’s signature style coated in a newly saturated varnish, Ellen Phan’s therapeutic wall of sound, pantea’s filtered sonic taxidermy, Lauren Sarah Hayes’ unapologetic ML improvisations, capped off with Iettatore’s face-melting stereo spread.
Buckle up for the quintessential introduction to LOL Editions. Released on December 1, 2023. All proceeds donated to MIND (UK based mental health charity).
Tracklist
- WEȽ∝KER - livedeath 02:30
- 1000PA - CrPhyz 03:24
- Michael-Jon Mizra - Framework 03:01
- Chloë Sobek - Thrall 04:07
- Robin Fox - Residues 05:20
- Anna Xambo - mnnw (extract) 03:55
- Dan Valentine - Air Lock 05:10
- SONAMB - Darker Side 02:57
- busf - GBFEDIT2 02:03
- Kindohm - 001 03:43
- Ellen Phan - Pending 04:43
- pantea - 1 05:45
- Lauren Sarah Hayes - The Pleasure at Being the Cause 04:48
- Iettatore - Yellow Pyre 04:40
Anna Xambó - mmnw (extract) (3:55)
About the track:
Under the motto “Make Noise Not War”, a noisy live coding exploration is pursued using different noise generators, spanning from sound-based rhythmic patterns from personal recordings to an augmented box with metal springs, to crowdsourced sounds from Freesound.
The sounds are created with SuperCollider, including self-built SuperCollider extensions such as MIRLCa (github.com/mirlca/code), MIRLCRep2 and MIRLCRew2 (to be released soon, a previous version can be found at: github.com/axambo/MIRLC).
This live set has been specially prepared for the celebration of 10 years of Algorave standing for a pacifist solution to the present turmoil of the war in Ukraine. You can find more info about the session and piece here: Make Noise Not War by Anna Xambó @ Algorave 10th Birthday Party (March 19, 2022)
Sound credit list:
- Hat13.aif by Kuru23 (lic. CC0 1.0)
- Bourscheid Palacehallway.wav by NoiseCollector (lic. CC BY 3.0)
- catmachine1.1.SC2.wav by SpaceTigers (lic. CC0 1.0)
- noisehihattap.wav by kwahmah_02 (lic. CC BY 3.0)
- Mic feedback fx short Mid 2.wav by chimerical (lic. CC BY-NC 3.0)
- amp_feedback_12.wav by strangehorizon (lic. CC0 1.0)
Anna Xambó - Kicks & Cuts (remastered) (2:21) @ f:p podcast episode 128_Ana Maria Romano G
About the compilation
f:p podcast episode 128_Ana Maria Romano G. (female:pressure, 5 January 2023) is a female:pressure podcast curated by Colombian artist Ana Maria Romano Gomez.
More info:
Ana María Romano G. is a Colombian composer and interdisciplinary sound artist. Her creative interests center around acoustic and electroacoustic media and participation in interdisciplinary projects involving contemporary dance, video dance, performance and live arts. Her creative interests stem in the intersection of gender, sound and technology, listening, soundscape, noise, experimentation, improvisation, cyberspace, body and the political dimension of the creative. Her artistic works have been featured in festivals and published in physical support and by several netlabels in Latin America, Europe, North America, and Asia. Currently, she teaches at Universidad El Bosque and Universidad de Antioquia. She is the coordinator of the Plataforma Feminista En Tiempo Real (Feminist Platform En Tiempo Real) dedicated to the encounter between sound and technology with focus on women and LBTQ+. She has been nominated to the CLASSICAL NEXT INNOVATION AWARD 2019 (Holland) for the work of making visible the work of women in the field of experimental sound creation with technologies through the Festival En Tiempo Real.
Tracklist:
- Mabe Fratti + Vania Vargas (Guatemala) - Péndulo y Latido (2020)
- *Claudia Robles (Germany/Colombia) - Wandering in Morelia (excerpt, 2019)
- *Evelyn Frosini (Argentina) - Móviles (excerpt, 2019)
- *Ana María Romano G. (Colombia) - rozar la nebulosa (de Manuelita, su propia libertadora, 2017)
- *Mariana Carvalho + Katharina Klement (Brazil+Austria) - Performance at Q-02 (excerpt, 2019)
- Guadalupe Perales + Ana Mora (Mexico) - 8M (excerpt, 2021)
- Elektroperra (Colombia) - Popotá en llamas (excerpt, 2021)
- *Anna Xambó (Spain/UK) - Kicks & Cuts (2019)
- *cilantro (Angélica Castello* + Billy Roisz*, Mexico+Austria) – axiaco (2011)
- *Isabel Nogueira / Bel_Medula (Brazil) - Eu Vou Contar (2020)
- *death of codes (USA) - Look Up (2020)
- Sexores (Ecuador) - Tropical Nest (2018)
- Vermillion (Venezuela/Argentina) - 5ympathy4ffection (2020)
- *Catenation (Sylvia Hinz + Jeanne Comateuse, Germany) – Resist (2021)
- *Leena Lee + Vania Fortuna (Mexico) – Rapture (2022)
- Ross (Colombia) - ch’ixi (excerpt, 2021)
- *Meira Asher - still sleeping (2016)
Anna Xambó - Kicks & Cuts (remastered) (2:21)
About the track:
This piece is a remix of the sonic piece “Kicks”, and explores the original source within the self-built live coding environment MIRLC. The rhythm of the source is repeated creating slight out of phases, the rhythmic audio features of the audio source determine the shape of overlaid noisy beeps, and related glitchy sounds from Freesound.org are combined to the textural sound mass.
Sound credit list:
- Kicks by Anna Xambó: https://soundcloud.com/annaxambo/kicks
- Mouse clicks.WAV by beansqueso31: freesound.org/people/beansqueso31/sounds/223103/
- KiuasStone01.wav by Xenakios: [freesound.org/people/Xenakios/sounds/127613/(https://freesound.org/people/Xenakios/sounds/127613/)
- boots_leather_bend_creaking_squeeze.wav by EricsSoundschmiede: freesound.org/people/EricsSounds…ede/sounds/454624/
- Crumpled Paper.wav by thegoose09: freesound.org/people/thegoose09/sounds/125379/
- opal creek ice 1.wav by tim.kahn: freesound.org/people/tim.kahn/sounds/138191/
- paper scrunch.wav by thecityrings: freesound.org/people/thecityrings/sounds/174233/
- opal creek ice 3.wav by tim.kahn: freesound.org/people/tim.kahn/sounds/138189/
Anna Xambó - Magnets (4:21) @ Compassion Through Algorithms Vol. II (Light Entries, 2020)
About the compilation
Compassion Through Algorithms Vol. II (Light Entries, 2020) is a collaboration between Light Entries and Algorave Sheffield curated by Alex McLean. Recommended donation £8. All proceeds to Young Minds Together.
More info:
We’re a group of people from England’s North (from Birmingham up) making music and art from algorithms, shared here in solidarity with the Black Lives Matter movement.
We join calls for justice for George Floyd and Breonna Taylor, but also reflect on the situation here in the UK, including the lack of justice for Stephen Lawrence, for Christopher Alder, for the people lost in the New Cross and Grenfell fires, for the Windrush deportees and all suffering under our government’s ‘hostile environment’ policy.
We want educational reform, so that the next generation can open their eyes to Black British history. Stating that ‘Black Lives Matter’ should not be difficult, but right now it’s not enough to be non-racist. We need to be anti-racist.
We also reflect on our own small communities of practice. So much of the music we love - Jazz, House, Soul, Funk, Jungle, Techno - is music of the African diaspora, created in the context of political struggle. Too often the music is exploited and whitewashed for a mainstream audience. We all need these and future waves of afrofuturism to imagine brighter times. Let’s take responsibility, take action to confront racial injustice, and make space for that future.
We share this compilation on a ‘pay as you feel’ basis, but please give generously if you can. All proceeds will go to Young Minds Together, a group of Black girls making music and dance in Rotherham UK, in need of your help to rebuild post-pandemic.
Included in the download is a PDF with more info about each track and resources for how you can get involved.
The first Compassion Through Algorithms compilation was put out by Algorave Tokyo and is available at algorave-tokyo.bandcamp.com
Tracklist:
- Young Minds Together - We Are Young Minds Together 01:01
- 65daysofstatic - Renoiser 03:13
- TYPE - XN1 04:13
- Michael-Jon Mizra - On Condition 02:56
- Anna Xambó - Magnets 04:21
- Yaxu - Prelock 03:19
- Shelly Knotts - Wake Up 04:15
- 0001 - Cracking 03:08
- Antonio Roberts - Pulse 03:09
- Leafcutter John - The Logistic Map 06:26
Anna Xambó - Magnets
About the track: This piece gets inspiration from Alvin Lucier’s Sferics (1988). Sferics musically explored electromagnetism from radio waves in the ionosphere. In this piece, I investigate the acoustic properties of electromagnetic fields and their translation into music. I am using MIRLC 2.0, a self-built library in the free Supercollider software. I am developing this library to allow the live coder to retrieve or rewire sounds based on music information retrieval techniques. You can find the first version at github.com/axambo/MIRLC.
The audio input signal is a personal recording of electromagnetic fields emitted by a home network router recorded with a self-built induction microphone. You can find out more about circuit sniffing in this video by Nicolas Collins: https://youtu.be/4T7qkYY7LZM. Based on these acoustic properties of the pitch, onsets and beats, a sinusoidal sound generator, a bit crush sound effect, and a bass generator are triggered, respectively.
Anna Xambó - Poème Symphonique For Tape Metronome: Variation I (5:38) @ In Unison (i.u, 2020)
In Unison (i.u, 2020)
In Unison (i.u, 2020) marks the label’s first release under its own name and is curated by Lawrence Mc Guire and Victor Gybels. All tracks in this compilation were composed/written using computer languages. In times of uncertainty, unity in the digital and non-digital realm is more important than ever. The endless search for new means of communicating through sound and visuals is what drives us forward, as individuals but even more so as a collective being, In Unison. All proceedings will go to the Black Lives Matter Foundation.
Tracklist:
- +777000 - better say 04:17
- Anna Xambó - Poème Symphonique For Tape Metronome: Variation I 05:38
- CNDSD - file pluie 08:20
- Dagobert Sondervan - PiewPowPanPerdu 07:10
- d͓̽i͓̽g͓̽i͓̽t͓̽a͓̽l͓̽ ͓̽s͓̽e͓̽l͓̽v͓̽e͓̽s͓̽ - 200619 03:04
- Gibby-Dj - worth 02:48
- hogobogobogo - regiclldul_))) 04:02
- Norah Lorway - Stream 13:32
- Sebastian Camens - TAR XC3 04:54
Anna Xambó - Poème Symphonique For Tape Metronome
About the track: Poème Symphonique For Tape Metronome: Variation I has been entirely composed and performed using the self-built tool Music Information Retrieval for Live Coding (MIRLC) (version 2), a SuperCollider’s extension that expands the Freesound quark. This piece is a dedication to György Ligeti, taking inspiration from his 1962 composition “Poème Symphonique for 100 metronomes”. The piece is constrained to using only one sample, which is elasticized with granular synthesis techniques embedded in live coding practices.
Sample used: “Metronome, even.aif” by carroll27
peterMann - n02-petermann (11:10) @ Noiselets (2018)
Noiselets (Carpal Tunnel, 2018)
Noiselets (Carpal Tunnel, 2018) is a fast paced adventure through randomness and chaos organized by the online records label Carpal Tunnel. Like an automatic scan in a broken radio receiver, we captured 7 different approaches to electronic noise music live over less than 90 minutes. Life is short.
Tracklist:
- n01-scmute 10:13
- n02-peterMann 11:10
- n03-MartinHug 05:09
- n04-Faraldo 09:14
- n05-0001 10:43
- n06-MiquelParera 09:48
- n07-UrgetoKill 10:07
peterMann - n02-petermann (11:10)
About the track: n02-peterMann is a live coding exploration of noise using the self-built tool Music Information Retrieval for Live Coding (MIRLC), a SuperCollider’s extension that expands the Freesound quark.
peterMann - Go wild y’all (Atlanta) (1:00) @ Microtopies (2016)
Microtopies 2016 (Gràcia Territori Sonor, 2016)
Microtopies 2016: 46 miniatures de música i geografia (Gràcia Territori Sonor, 2016) is the fifth world call for sonic miniatures launched by Gracia Territori Sonor to configure the yearly special edition of our weekly radio broadcasting Música i Geografia (FM Barcelona, Ràdio Gràcia). 46 artists and bands from 12 countries have participated in Microtopies 2016. The received miniatures have not been subjected to a selection process and they have been included following the strict order of arrival. When you’ll listen to them you will be able to travel through this utopian geography in the order preconfigured by chance, but you can create your own favourite selections as well.
Tracklist:
- Daniel Nàger (Barcelona) - Màquina industrial 00:59
- Domèstic Tick Blanca (Barcelona) - Txim Pom Symphony 01:01
- Ricardo de Armas (Bahía Blanca) - Velada de box 00:59
- Antoni Robert (Barcelona) - Train Piece #1 01:01
- Alejandro Mateo Garcia (Badalona) - Experiment 1: L et the S pirit of D ead 00:59
- Ana Paula Hall (Coronel Suarez) - Y sin tan solo con escuchar alcanza 00:43
- Patxi Valera (Orchha) - SeSeSeMini 01:00
- OME Acústic (Barcelona) - Sorolls al desert 01:00
- Daniel Duato (València) - RR-02 00:59
- Alozeau (Barcelona) - Boires barcelonines 01:00
- リード (Tokyo) - Vandalising AKB48 Fanclub 00:58
- Carlos Russell (Buenos Aires) - Horseback Riding 01:11
- Lucius Works Here (Barcelona) - El juego del pescado muerto 00:57
- I OM (London) - Do The Acid Bath Dance 01:01
- J. Savagge (Girona) - El millor que es pot fer amb l’Artaud d’en Jordi Coca 01:00
- Weissenfels (Leipzig) - Solo-prep 01:04
- 25 Hombres (Ciutadella/Girona) - Ni creus ni colors_(HWN non accepted) 01:06
- Matías Padellaro (Ranelagh) - Tarde en gh 00:59
- Rasalasad (Oeiras) - Static 00:58
- Albert Guitart (Barcelona) - Passejant (walkin’) 01:01
- Xavier Tort (Barcelona) - I passat el giravolt, Mirmanda 01:11
- Antonio Murga (Sevilla) - No hase falta un casaó 01:00
- Mir Blib (Barcelona) - Vallas 01:02
- Emmanuel Acosta Ramírez (Ciudad de México) - Son2 01:00
- Víctor Nubla (Barcelona) - Cynops Pyrrhogaster 01:06
- Giacomo Salis - Paolo Sanna Duo (San Sperate - Sardara) - Stone-Metal 01:00
- Adrià Bofarull (Cerdanyola) - Inyecciones de agua esteril en el triangulo de Michaelis 01:00
- Lucille Calmel (New Orleans) - I dunno what to say 00:26
- Maoc’esttoi (Roma) - Partigiani di tutti i tipi 01:00
- Ulrich Mitzlaff (Lisboa) - Convex Spot 00:59
- Sacre (Bristol) - Pequeña marcha china en la cola del Tesco 00:59
- The Long Red Radish (Barcelona) - Monday Night at Tucston (No bars open) 01:00
- Filipo Laresca (Armenia - Quindío) - Micelio 01:00
- Iago GV (Esplugues de Llobregat) - Urbanisme de xoc 00:59
- Edu López (Bilbao) - Sso 01:00
- Susana López (Murcia) - Counting Thunder Claps 00:59
- DuraMaar (Sevilla) - Platja de l’home mort 01:00
- Neolithic Tools Today (Sant Andreu de la Barca) - Little Piece of S… ong 00:57
- peterMann (Atlanta) - Go wild y’all 01:00
- Azanuy Vinyals (Barcelona) - Viatge al futur 2 00:54
- Lera Kelemen (Timisoara) - Hana 01:16
- Macromassa (Barcelona) - Animales 01:23
- Ignacio Lois (Barcelona) - Ácido Litúrgico 01:34
- Ricard Pons Ares (Badalona) - Tarda 01:04
- Quicu Samsó (Sant Cugat) - Diu, menja! 01:04
- Ramon Solé (Barcelona) - Ara piro 01:07
peterMann (Atlanta) - Go wild y’all (1:00)
About the track: A sonic exploration from Atlanta city inspired by the rich mix, and clash, of music genres and cultures.
peterMann - ldnsktch01 (London) (1:00) @ Microtopies (2015)
Microtopies 2015 (Gràcia Territori Sonor, 2015)
Microtopies 2015: 56 miniatures de música i geografia (Gràcia Territori Sonor, 2015) is the fourth world call of sonic miniatures launched by Gràcia Territori Sonor to configure an annual special edition of our weekly radio broadcasting program Música i Geografia (FM Barcelona, Ràdio Pica and Ràdio Gràcia). 56 artists and groups from 13 countries have participated in Microtopies 2015. The miniatures received haven’t been submitted to a selection process and have been included in strict order of arrival. When you hear them you’ll be able to travel this utopic geography in the order that chance has preconfigured.
Tracklist:
- Albert Negredo (Barcelona) - Bio Rythm 00:43
- Marc Egea (Tella) - Ermita 01:00
- Víctor Aguado Machuca (Madrid) - ST 01:00
- Antoni Robert ( Barcelona) - Hidden Pattern#1 (fragment) 01:01
- William Price (Birmingham-Alabama) - Gradient Collapse 01:00
- Hiyohiyoipseniyo & Jukka-Pekka Kervinen (Manresa / Kitee) - Alhainen Paristo a la radio 00:59
- Thomas V. Christie (Montréal) - Primoridial Soup 01:00
- Ricardo de Armas (Bahia Blanca) - Waveforms 01:00
- Domestic Tick Band (Barcelona) - Vers Revers 01:08
- Daniel Blinkhorn (Svalbard) - Recording iceberg fragments from shoreline 01:00
- Diogo Lopes (Porto) - The Space That If Follow it is of Responsability Of The Interveners 01:08
- Alejandro Moreno (Barcelona) - Something Wicked This Way Comes 00:57
- Ana Paula Hall (Coronel Suarez) - Ranas 01:15
- Sebastián Tapia (Valparaíso) - Sin-Co 01:00
- Pedro Bericat (Zaragoza) - Mensaje 45 RPM 01:07
- Tischhh (Barcelona) - Not always the case 01:03
- Soundreamer Days (Barcelona) - 8 00:59
- Kel Solo (Barcelona) - Alguna cosa està canviant 01:00
- Renato Ortiz Sandivari (Viña Del Mar) - Insondable 01:03
- Rodrigo Yau (Valparaiso) - Encuentro sin vestidura 01:00
- Emmanuel Acosta Ramírez (Ciudad de México) - Novem 01:00
- Miquel Parera (Barcelona) - Montseny_nxI005Ra-2015-02-16_03_56_48 01:00
- BMF (Madrid) - Despues de la tormenta (short version) 01:11
- Sustainer (Barcelona) - Sesgo 00:59
- Zósim Timpà (Barcelona) - Heraclitus 01:01
- Kingdinsky (Palma de Mallorca) - Fukushima I 01:00
- J. Savagge (Girona) - Precàries 01:00
- Osvaldo Cibils (Trento) - Soundart7march2015 01:00
- Giacomo Salis - Paolo Sanna Duo (San Sperate - Sardara) - Yellow Spores 01:00
- Lucas Quejido (Barcelona) - El laberint de la miniatura 01:05
- Adrià̃ Bofarull (Cerdanyola) - Multicef 00:59
- Marco Ferrazza (Cagliari) - Alter 01:15
- Kheptsnem (Barcelona) - La cremor tàrtara 01:01
- Neotropic (St Leonard’s on Sea) - Petite mouche 01:00
- Ulrich Mitzlaff (Lisboa) - Cascata Amarela 01:00
- Xavier Tort (Barcelona) - Epifonia 01:03
- Víctor Nubla (Barcelona) - Doreen Anderton 01:08
- Berthelot (Chartres) - Linguistock 01:00
- Lucius Works Here (Barcelona) - Ten paciencia conmigo 01:14
- Mir Blib (Sevilla) - Mr. Hide 01:03
- Triulet (Barcelona) - Tercer Zero 01:10
- Julius Granell (Valverde, Isla del Hierro) - Iron 01:12
- Julian Scordato (Barcelona) - Micro mega 00:59
- Albert Guitart (Barcelona) - I ara què em diu aquest? 00:59
- Peter Memmer (Madrid) - rrrra-ta-tam 00:59
- Francis García (Colmenar de Oreja) - 6:40 AM 00:59
- Federico Echave (Buenos Aires) - Agua Metálica 01:00
- maoc’esttoi (Helsinki) - psychoposttotalbalalaikashow 01:00
- 9v (Guildford) - Tip 00:59
- peterMann (London) - ldnsktch01 01:00
- Dura Maar (Sevilla) - Desgranamiento 01:00
- Renata Roman (Sao Paulo) - A cega 00:59
- Ignacio Lois (Barcelona) - Drone Strike 01:01
- From There (Terrassa) - To the Rest 00:59
- Edu López (Bilbao) - {g} 01:00
- Martí Sales (Barcelona) - Blues del quart de to 00:59
peterMann - ldnsktch01 (London) (1.00)
About the track: A sonic exploration from London city using field recordings from a kitchen sink’s dripping combined with a synthetic techno inspired beat.
peterMann - init11 (3:29) @ Electronic Music from Catalonia (2010)
Electronic Music from Catalonia (Catalan! Arts, 2010)
Electronic Music from Catalonia 2010 (Catalan! Arts, 2010) is loaded with bright colours, with a heightened sense of modernist synthetics, and with the warmth and openness to cosmopolitan influences which is such a crucial aspect of Barcelona’s, and Catalunya’s, way of life. It’s a reminder that electronic music is not necessarily some enormous paradigm shift, but a subtle, digital continuation of dance and ritual forms that have persisted and survived for centuries.
Electronic Music from Catalonia’s tracks are selected by ICIC from Javier Blánquez’s (specialized music journalist) proposal in collaboration with Luis Lles (music critic and director of the Festival Periferias), Enric Palau (Sónar), Rob Young (The Wire magazine), and scannerFM.
Tracklist:
- Arbol & Fibla: No One Remembers Us Anymore (4.35)
CD: “Bu san”
Author: Vicent Fibla, Miguel Marín - Ragul: Tereta, la petita extraterrestre (2.53)
CD: “La familia nuclear EP”
Author: Raul Vicente Giralt - Adyo: Monique (edit) (4.12)
CD: “Monique”
Author: Adyo - Petermann: Init11 (3.29)
CD: “Init”
Author: Anna Xambó - Older: Prologue (Part 4) (5.13)
CD: “Prologue”
Author: Older - Wooky: New world order (5.07)
CD: “The Ark”
Author: Albert Salinas Claret - Black I.C.E.: Not for sale (Sendo remix) (edit) (4.30)
CD: “Not for sale (Sendo remix)”
Author: Black I.C.E. - Deeps Edayar: Ready to June (edit) (4.56)
CD: “Tribute to pedriky”
Author: Javier Orduña, Manel Ruiz / Design by: dexpixels - Stainboy: Sparks (Pional remix) (edit) (5.00)
CD: “Night pieces”
Author: Stainboy - Mar Abella: Automatic (Spiritual Mix) (2.46)
CD: “Automatic EP”
Author: Maria del Mar Abella Solé - Vinilette: Where to go (edit) (4.24)
CD: “Bliss”
Author: Elisabeth Pibernat / Artwork cover: Fanny Rossi - Outra-g: You sleep when I’m awake (3.27)
CD: “VelvetEyeLids EP”
Author: Albert Guirao (Outra-g) - Bradien: Fed (3.21)
CD: “Linden”
Author: Bradien - Delorean: Stay close (4.31)
CD: “Subiza”
Author: Delorean - John Talabot: Sunshine (edit) (4.30)
CD: “Sunshine Remixes”
Author: John Talabot - Sistema: Jarl (edit) (4.33)
CD: “A Los Hechos Me Remito”
Author: Sistema - C156: Latin Mayhem (4.34)
CD: “Oink”
Author: C156 - Guillamino: Cricket bug (4.15)
CD: “Whip Gymnastix”
Author: Pau Guillamet i Garcia
peterMann: init11 (3.29)
CD: “Init”
Author: Anna Xambó
About the track: (Text from the CD) Techno which is deep, dense, slow, filled with echoes and linked to the minimalism of the plastic arts; peterMann’s track is the Catalan response to artists such as JPLS, Concept or the first Studio 1.