HCI + Sound & Music Computing

Technology • Design • Experience

Musical avatar automatically generated from my musical taste. Source: The Musical Avatar project, MTG-UPF.

This is my personal website, blog and portfolio. The views expressed on this website/blog are mine alone and do not necessarily reflect the views of any other individual or organisation.

Latest Blog Posts

Jul 1, 2022: Presence at NIME 2022
Jul 1, 2022: Rapid Prototyping With Online Pilot Testing
Jul 1, 2022: Teaching Audio Electronics Post-COVID - A Hybrid Project-Led Approach

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Latest Publications

Xambó, A., Goudarzi, V. (2022) “The Mobile Audience as a Digital Musical Persona in Telematic Performance” [PDF] [PubPub]. Proceedings of the New Interfaces for Musical Expression (NIME ’22). Waipapa Taumata Rau, Aotearoa / The University of Auckland, New Zealand.
Xambó, A. (2022) “Virtual Agents in Live Coding: A Review of past, present and future directions”. e-Contact! (online journal). [PUBLISHED] [PREPRINT]
Roma, G., Xambó, A., Green, O., Tremblay, P.A. (2021) A General Framework for Visualization of Sound Collections in Musical Interfaces. (Open Access). Applied Sciences, 11(24):11926. [Companion Website]

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Latest Performances

Forthcoming (September 16, 2022) Xambó, A. "When virtual meets reality". British Science Festival, LCB Depot, Leicester, UK.
(July 6, 2022) Roma, G., Xambó, A. "shreds". Web Audio Conference (WAC '22), Université Côte d'Azur, Cannes, France. [Video extract]
(June 21, 2022) Roma, G., Xambó, A. "shreds". Online Performance. International Conference on Live Interfaces (ICLI '22), Lisboa, Portugal. [Video]

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Latest Other Activities

Forthcoming Live Coding Sonic Creativities, the first special issue on live coding in Organised Sound. Call for submissions is open. Submission deadline: 15 September 2022.
(June 24, 2022) External Master’s thesis examiner for Stephen Gardener, Master thesis title: ”The Algorithmic Composition Explorer”. Master’s programme: Music, Communication and Technology. Department of Musicology, University of Oslo, Norway.
(May 27, 2022). Invited talk "Betwixt and Between Sound-Based Music and Sound Design" at Sound Design(ed) Futures: new realities, spaces, technologies. Online & Université Gustave Eiffel, Champs-sur-Marne, France.

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Interviews / On the Press

Interview by Jacob Hart (July 7, 2022) about my practice, approach, and experiences using FluCoMa tools or similar technologies (machine learning, signal decomposition, audio descriptors) on SuperCollider. Episode 6 of FluCoMa Podcast.
Book endorsement of "The Body in Sound, Music and Performance Studies in Audio and Sonic Arts" (July 20, 2022). Edited By Linda O Keeffe, Isabel Nogueira. Focal Press / Routledge.
Review of Dirty Dialogues by Emily Pothast (2021 Rewind, The Wire 455, January 2022). About our live album "Dirty Dialogues" performed by Dirty Electronics Ensemble, Jon.Ogara and Anna Xambó.

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