HCI + Sound & Music Computing

Technology • Design • Experience

LOLTRAX001: Cassette (limited edition) + Digital Album.
Musical avatar automatically generated from my musical taste. Source: The Musical Avatar project, MTG-UPF.
This is my personal website, blog and portfolio. The views expressed on this website/blog are mine alone and do not necessarily reflect the views of any other individual or organisation.

A Random Blog Post 2006-2022

Latest Blog Posts

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Latest Publications

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Latest Performances

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Latest Other Activities

  • New (February 22, 2024). Seminar talk "Sound and Music Computing Goes Wild: From Communities to Ecosystems". AIM Forum. Centre for Digital Music. Queen Mary University of London. London, UK.
  • (January 24, 2024). Seminar talk "Reflections on the use of CC sounds in creative computing". Research Forum. CeReNeM: Centre for Research in New Music. University of Huddersfield. Huddersfield, UK.
  • (December 15-16, 2023). Panellist of the panels "AI and Ethics" and "AI in Performance" at the symposium "AI in Music (AINMUSIC): Agency, Performance, Production and Perception", University of Music Trossingen/KISS project, Trossingen, Germany / online.

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Interviews / On the Press

  • (August/September, 2023) Testimonial of how I am coping with and using AI in my musical practice, published in the article AI and the Future of Human Made Music. Introduction and Interviews by Jonas Vognsen. Perfect Sound Forever online music magazine.
  • (May, 2023) Testimonial from my participation in the panel "Music creation" at the event "Challenges and Opportunities in Music Tech - Open Debate", Universitat Pompeu Fabra, published in the article How will AI coexist with human music? The future is now. Article by Karma Peiró. Challenges and Opportunities in Music Tech. Music Technology Group, Universitat Pompeu Fabra, Barcelona, Spain.
  • (November 25, 2022) Exposition of my live-coding work published in the book: Blackwell, A.F., Cocker, E., Cox, G., McLean, A., Magnusson, T. (2022) Live Coding: A User's Manual", The MIT Press, pp. 122-124.

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