HCI + Sound & Music Computing

Technology • Design • Experience

Musical avatar automatically generated from my musical taste. Source: The Musical Avatar project, MTG-UPF.
This is my personal website, blog and portfolio. The views expressed on this website/blog are mine alone and do not necessarily reflect the views of any other individual or organisation.

Latest Blog Posts

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Latest Publications

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Latest Performances

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Latest Other Activities

  • Forthcoming Live Coding Sonic Creativities, the first special issue on live coding in Organised Sound. Call for submissions is closed. Expected publication date: August 2023.
  • (December 13, 2022) Panellist of the panel "Music creation" at the event "Challenges and Opportunities in Music Tech - Open Debate", Universitat Pompeu Fabra, Barcelona, Spain / online.
  • (December 8, 2022) Invited lecture/workshop "Machine listening and machine learning using MIRLC/a" at the module "Computer Programming for Musicians" led by Erik Nyström, Department of Performing Arts, School of Communication and Creativity, City, University of London, UK.

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Interviews / On the Press

  • (November 25, 2022) Exposition of my live-coding work published in the book: Blackwell, A.F., Cocker, E., Cox, G., McLean, A., Magnusson, T. (2022) Live Coding: A User's Manual", The MIT Press, pp. 122-124.
  • (July 7, 2022) Interview by Jacob Hart about my practice, approach, and experiences using FluCoMa tools or similar technologies (machine learning, signal decomposition, audio descriptors) on SuperCollider. Episode 6 of the FluCoMa Podcast.
  • (January, 2022) Review of Dirty Dialogues by Emily Pothast (2021 Rewind, The Wire 455, January 2022). About our live album "Dirty Dialogues" performed by Dirty Electronics Ensemble, Jon.Ogara and Anna Xambó.

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