Musical avatar automatically generated from my musical taste. Source: The Musical Avatar project, MTG-UPF.
This is my personal website, blog and portfolio. The views expressed on this website/blog are mine alone and do not necessarily reflect the views of any other individual or organisation.
Xambó, A., Goudarzi, V. (2022) “The Mobile Audience as a Digital Musical Persona in Telematic Performance” [LaTeX][PubPub]. Proceedings of the New Interfaces for Musical Expression (NIME ’22). Waipapa Taumata Rau, Aotearoa / The University of Auckland, New Zealand.
Xambó, A. (2022) “Virtual Agents in Live Coding: A Review of past, present and future directions”. e-Contact! (online journal). [PUBLISHED][PREPRINT]
ForthcomingLive Coding Sonic Creativities, the first special issue on live coding in Organised Sound. Call for submissions is open. Submission deadline: 15 September 2022.
(June 24, 2022) External Master’s thesis examiner for Stephen Gardener, Master thesis title: ”The Algorithmic Composition Explorer”. Master’s programme: Music, Communication and Technology. Department of Musicology, University of Oslo, Norway.
Forthcoming Interview by Jacob Hart (July 1, 2022) about my practice, approach, and experiences using FluCoMa tools or similar technologies (machine learning, signal decomposition, audio descriptors, and so on). FluCoMa podcast.
Review of Dirty Dialogues by Emily Pothast (2021 Rewind, The Wire 455, January 2022). About our live album "Dirty Dialogues" performed by Dirty Electronics Ensemble, Jon.Ogara and Anna Xambó.