Musical avatar automatically generated from my musical taste. Source: The Musical Avatar project, MTG-UPF.
This is my personal website, blog and portfolio. The views expressed on this website/blog are mine alone and do not necessarily reflect the views of any other individual or organisation.
ForthcomingXambó, A. (2023) “Discovering Creative Commons Sounds in Live Coding”. Organised Sound. 28(2). (In Press).
Champlin, A., Chicau, J., Corfiel, M., Knotts, S., Marie, M., Saladino, I., Xambó, A. (2023) “LivecoderA Community Report” (Community Report Paper). Proceedings of the International Conference of Live Coding (ICLC 2023). Utrecht, The Netherlands.
Xambó, A., Goudarzi, V. (2022) “The Mobile Audience as a Digital Musical Persona in Telematic Performance” [PDF][PubPub]. Proceedings of the New Interfaces for Musical Expression (NIME ’22). Waipapa Taumata Rau, Aotearoa / The University of Auckland, New Zealand.
ForthcomingLive Coding Sonic Creativities, the first special issue on live coding in Organised Sound. Call for submissions is closed. Expected publication date: August 2023.
NewForthcoming (June 7, 2023). Guest talk About NIME, NIMEness, and Speculative Futures. Creative Technologies II, Creative Technologies Master's Program, Film Universität Babelsberg Konrad Wolf, Potsdam, Germany.
(November 25, 2022) Exposition of my live-coding work published in the book: Blackwell, A.F., Cocker, E., Cox, G., McLean, A., Magnusson, T. (2022) Live Coding: A User's Manual", The MIT Press, pp. 122-124.
(July 7, 2022) Interview by Jacob Hart about my practice, approach, and experiences using FluCoMa tools or similar technologies (machine learning, signal decomposition, audio descriptors) on SuperCollider. Episode 6 of the FluCoMa Podcast.